Dracula Untold

In keeping with Hollywood’s like of origin tales, this latest attempt to bring Bram Stoker’s Dracula to the screen sets out to tell how the world’s most well-known vampire got the bit between his teeth (sorry). Recalling the historical prologue of Francis Ford Coppola’s 1992 take on the original novel, Dracula Untold travels back to 15th-Century Transylvania, some 400 years before Stoker’s report.

Ruling the land is Vlad III (Luke Evans), Prince of Wallachia and devoted family man, married to Mirena (Sarah Gadon). While we may know him better as Vlad The Impaler, Evans’ noble leader isn’t seen doing an appalling lot of impaling. Rather he wants to keep the peace for his loyal countrymen – which means negotiating with Sultan Mehmed II (Dominic Cooper), the ruthless leader of the Ottoman Empire.

Unsurprisingly, this doesn’t last, though handily Vlad’s uncovered a nearby cave where there lurks a vampiric presence (played with lip-slap relish by Charles Dance). Trading on the myth that Vlad The Impaler was the inspiration for Stoker’s Dracula, Vlad then enters a Faustian-like pact with the creature, in order that he might gain powers to help his people. “Sometimes the world no longer needs a hero,” he mutters. “Sometimes what it needs…is a monster.”

It’s cornball lines like this that push Dracula Untold towards laughable, despite solid-enough work from Evans, who has the leading-man chops down pat. But it’s plagued by issues: the plot is ineffective, the scares in fleeting supply and first-time feature director Gary Shore can’t choose whether to go for Hammer camp or Coppola dramatics.

What really disappoints is just how low-cost the FX look (bar Dance’s wonderful slithery tongue and the Evans’ prosthetics). It’s hard to know where the budget went, but it certainly wasn’t on the screen. While the set-up practically screams for a sequel, on this evidence it doesn’t merit it.